with day out of days, scratch massive has made a modern electronic album, perfectly at ease with the influence of pop, as a way to revisit and reexamine its clichés, its stylistic effects, and the hungry nostalgia for the 1980s.

waxtefacts swings by the block with a bunch of ep’s from the crew. first off - strip steve with the dog days ep. landing on the a-side - cause it’s cold outside cools up the vibe with it’s evolving racing mood which is set to shift temperatures across any room. whatever u.b. pushes you back where you came from and gets your inner you dancing with the other inner you. for machine gum funk, strip steve teams up the mysterious dj storch for a live jam that captures the moment. capo puts the crown of the ep with teleporting you to the land of dreams where we will leave you hanging until the next wxtfx release.

pair of fresh cuts from portuguese disco-duo cisco cisco on apersonal music. continuing the love saga that started with -if you want me- and later with -higher- now they uncover two versions of the same single, jazzy days and nights.

ethimms second ep when in dark delivers the groups signature tension music with moods oscillating between suicidal heartbreak and conciliatory optimism. in the opening track why (a cover of the rhythm and sound classic), producer elisabeth thimm sets the stage for guest singer veronique to mourn love s loss, while brian gimmel s improvised piano licks hold strong agains the songs relentless bassline. the follow-up track late features lexx s dreamy lyrics gracing a subtle dance foor tune for spaced-out souls. the b side opens with ethimms love for dub. next is a freaked-out meditation on what has been and will be, while the fnal track done slowly creeps towards its peak, refecting on dark days where light may have not been much in sight, but going forward sees optimism, increased resolution, and drive.

gen next returns with his best ep to date - three lush detroit jams on big stricks 7 days ent label. highly recommended.

the press groups new issue moves into the sinister territory of pre-postmodern robotics, japanese swamps and the bird call of the ending of a century. an opaque surface reflecting a tremble in the mist. onibabas gaze dipped in thickness. ligeias call.

nice price deal !!! 11th hour recordings is back with endless days , their most dancefloor excursion so far - 4 slamming new techno and electro cuts, starting with the outrageously tough beat and grinding basslines of kick it , followed by a stunning high-tech-funk remake by motech main man and ur assault squad member dj 3000, who takes the heavy bass of the original and layers on new jazzed out synth hooks and stripped down percussion. n the flip, cold restraint is a straight out dancefloor bomb - tough driving percussion threaded with a distorted bleep hook and searing strings, all pushed forward by one of the nastiest basslines around, whilst down and out in ec2 provides a deep, driving and endlessly shifting electro workout.

nice price deal !!! shur-i-kans trademark blend of musicality with cutting edge electronic production has been turning heads and gaining fans for a number of years now. fred everythings lazy days recordings were quick to snap up >simply yes< featuring alexander east, and give it a mighty remixe from magik johnson and another from fred himself, along with an additional track from shur-i-kan. full support from luciano, laurent garnier, ian pooley, grant nelson, mark farina, andy inland knights, johnny fiasco, marlon d, nick holder, jay west, nacho marco, giom, pezzner, peter christianson, roberto rodriguez, sarah main, demarkus lewis, luke mckeehan, murray richardson, miles maeda, marko militano, olivier desmet, dj mes and more

polish wunderkind selvy inaugurates no bad days with the pops ep, four tracks of tropical & grandiose house music. pops opens up with a bold statement in ‘wishing well’, a peak­time epic with the sort of disney­via­john carpenter sweeping flourishes. following that is ‘basics’, perhaps the most playful of all the tracks: all bouncy synth melody, groovy bassline and dreamy pads. on the flip, ‘bump pump’ is arguably the most energetic helping on the ep, a percussive workout with gongs and all. if crash bandicoot was to make house music, this is close to how he’d sound. rounding the release off is the title track ‘pops’, perhaps the most original and subtle track with colourful vhs synths and strange sounds pinging across the mix.

“last days and time” is the third studio album by american r&b group earth, wind & fire, released in 1972, their debut album on columbia records. it was recorded at the legendary sunset sound studios in hollywood, california, with founder and multi-instrumentalist maurice white, verdine white and philip bailey. due to their live performances it cemented their status as the main funk band and set the stage for the band’s blockbuster breakthrough. songs on the album like “make it with you” (originally from bread) the pre-“brazilian rhyme” powerful funk sax style “power”, (which sounds like an early version of “serpentine fire”) and “remember the children” are excellent examples of the great songs and albums they have made during their career.
180 gram audiophile vinyl, housed in a gatefold sleeve.

the strange days continue... lory d returns with three caustic symphonies from the burning ashes of rome.

housewax welcomes back the lovely and high talented daniela la luz! after her fulminat debut album * based on electricity* which came out 2013 on rawax, we are happy to present you danielas new long player called * counting days* on housewax. congrats daniela - beautiful work!

giant panda guerilla dub squad follows up steady - their billboard reggae chart topping release from 2014 - with an americana/jam/country album. recorded concurrently with steady, again working with producer craig welsch (10 ft. ganja plant), bright days features this unique band further establishing themselves as the only reggae band that can moonlight sounding like american beauty-era grateful dead and early neil young. the record features a harmonica guest spot by g. love on *humboldt county gold*.

99letters steps up on thrhndrdsvntnn with a collection of chugging, otherworldly house and techno excursions. tape saturated machines groan under ghostly synth pads and layers of static, whilst over driven percussion pounds overhead.

this santa cruz ca native brings his vision & musical hallucinations w/subtle glitches, bright sparkles, and melacholic flutterings. pressing on 180 gram vinyl.

3 years, 5 months & 2 days in the life of... is the debut album by american hip hop group arrested development, released in 1992. the album charted at #3 in the uk charts, and #7 in the billboard 200. charting singles that came off the album are *people everyday*, *mr. wendal* and *tennessee*. the latter song is part of the the rock and roll hall of fames 500 songs that shaped rock and roll list.
pressing on 180 gram audiophile vinyl.

vinyl only. recruited by chez damier at a very young age to release on balance, jorge caiado took on the house and techno pioneers teachings to shape his own sound. also early on he got involved with the local scene by joining groovement, where he releases music and also helps to develop the artistic side of the label. his new “sunny days are coming” 3 track ep refers to the beautiful lisbon light but also to the idea of his music being a deep but uplifting journey full of discovery. it is clear that jorge’s sound is always evolving, be it in house or techno realms, therefore this new record raises the bar once by exploring the edge of electronic music field. tested with great reaction at lux dancefloor in lisbon, this ep will appeal to classic balance fans but will go beyond by reaching detroit and berlin music aficionados also

coeo are to toy tonics records, what master at work were to the house scene of the 1990ies: they bring the soul into the house. their new ep back in the days is a 4 track house stomper that could have been made in 1997 by guys like sneak, dimitri from paris or little louie. but still the similarities to the new berlin sample-house scene around max graef and hodini are evident, too. already their last years superhit native riddim (which is featured as a bonus track on this vinyl) included some heavy jazz samples they found in their parents bag of soul. native riddim has been no.1 in the traxsource charts for several weeks and was the basis for their already huge following. from laurent garnier to tensnake - the feedback has been awesome. now they proceed their way of souldful house. just good taste.

having championed underground dance sounds for many years now, dj/producer felix dickinson really seems to be hitting his stride now, and on a days reality, his second full length single for futureboogie, felix serves up perhaps his most accomplished works to date. collaborating with legendary chicago vocalist, robert owens (fingers inc/frankie knuckles), the pair produce a standout song that pulls on the very best of influences and delivers a modern day classic in the making.

selected advent deal - gerry read with a complete leftfield take on house music. mental jacktrax! mental jacktrax by gerry read. easy to resist these non-formulaic jack tracks in the days of conformist dance music cause its not the tunes that will make your crew do the fist pump thing during the weekly big headliner rave... but we like!! mr read is funky as fuck and reminds us a bit of dutch techno punks unit moebius (which is always a good thing!)

felix dickinson and jaime read met in brighton in 1995 when jaime was producing music for felix’s label ugly music. united by a love of chicago house music they held a 5 yr residency together in their hometown brighton. during this time jaime continued to make music for felix’s label as well as on his own label push 2 shove under the moniker lhas (the larry heard appreciation society). they soon found homes for their tracks on doc martin’s wax records, the belgian label eskimo and felix’s new label cynic music. more recently they have released tracks for tsuba and rong as lhas inc. there is a remix by neville watson. you may know him for his work with kink or his releases on clone and creme.

red laser seems to be attracting a wealth of young parisian talent as they release more heat from paris via red laser new comer romainn bezzina. bezzina has worked closely with bent producer simon mills to create and compile this ep of sultry analogue baleario disco especially for the manchester label. bezzina s remix of gary low s i want you has already appeared on the recent red laser disco compilation and now gets a re-press on this heavyweight twelve for increased sound quality. bezzina also drops fly away jack, a splendid shuffler reminiscent of van mccoy or bebu silvetti with a touch of love unlimited thrown in. these accompany 2 more tracks of sensual synth deepness including an exclusive vinyl release of bent s exercise 4 to make even the icy sleet of salford turn into the sweltering sun of st tropez.

wild001, wild003, wild005 & wild011 all bundled for a special price.

*better days* is tink! records return to amazing form, a collection of three perfect mixes that stand on their own, against a timeless original of 1990 that is sure to please the widest possible audience. get it while supplies last, this will fly off shelves.

special vinyl only edition of the second part of the dominonation remixes, this time by techno man of the moment alan fitzpatrick and enigmatic acid comes in transparent red vinyl, dipped in nostalgia and memories of stellar house personality june.

key dj support: james ruskin, benjamin damage, perc, tlr, orde meikle/slam, iron curtis, marco zenker, dario zenker, lo shea, rsd, the organ grinder, john heckle, space dimension controller, benji b, randomer, dj deep, dexter, laurent garnier, altered natives, norman nodge, trickski, boys noize, vincent neumann milos has been causing quite a stir of late with his limited handstamped msr & milos recordings projects, gaining support from key players including ben sims, gez varley (lfo), and colin dale. now we look forward to receptive visions, a label focused on no bullsh*t, real dancefloor techno. kicking off with the euphoric yet raw -reconery flight-, razor sharp hats, and massive drops pave the way for gauranteed dancefloor response! flip for -away days-, heads straight down, with a distinct gnarled, ragged intensity and thick pulsating grooves! one to watch!

the debut album from bob moses on 180 gram virgin 2x12 inch vinyl, housed in gatefold sleeve. downloadcode for the full album plus 2 bonus tracks (she dont mind / here we are) included.

the debut album from bob moses on silver coloured 180 gram virgin 2x12 inch vinyl, housed in gatefold sleeve. downloadcode for the full album plus 2 bonus tracks (she dont mind / here we are) included.

detroit house licks

2 releases from days of being wild plus one from their metise sublabel for one special price:
- wild004: catalepsia - dope menace
- wild015: club bizarre - la mort du petit cheval
- met001: catalepsia &#8206,– i m not from chicago

jordan peak fits the instinkt brand like a glove. this grenade of a release has concrete boots that will be smashing holes in dance floors for months to come. ‘drums for days’ is the most powerful release on this label to date with two tracks combing some stunning drum programming and the trippiest vocal hook you’ll hear this year. new-school house with just the right amount of nostalgia done in the classy way only jordan peak is capable of.

two of house music s finest and most respected artists, kiko navarro & dj fudge, join up for a magnificent debut outing on large music. created over a period of two days in the hong kong studio of dj fudge, each track showcases sublime chords, elegant grooves and classic summer vibes. the b side cut limbo even edges into more minimalist territory while still preserving the emotive elements. as a bonus we enlist large artists purple velvet for a deep house rework of anyway i want in their trademark chunky style.

seit mitte der 1990er-jahre jahren bereichern last days of april die welt mit ihrem zauberhaften, leicht amerikanisierten indie-pop. doch klingt das neunte album der stockholmer um songwriter karl larsson viel überlegter, gereift und ausgewogen, als hätte sich eine raupe zum schmetterling entwickelt.
die vinyl-lp erscheint inklusive cd-version des albums.

ready for some modern acid? after he has been traveling through club land for a considerable amount of time with his extreme pumping live performances, etcher left issued his first black gold sound imprint in 2014. o.k. we have to admit that his excellent first release polytom dusk (released at abstract acid) convinced us right away. therefore we are very pleased to present with corrosive days a marvelous acid-bass 4-tracker.
pressing on translucent, yellow marbled vinyl.

after several acclaimed eps on some of europe s greatest labels, such as local talk, faces, mile high and his own rawthenticity, it s now on the hong kongs most prominent label fragrant harbour that fulbert has decided to land with a truly raw piece of house music. meticulously sampled and arranged with the help of analog gears, days of being wild got this very special saturated low-fi sound, very characteristic of one of the most promising talent to have emerged onto the french electronic scene in recent times.

big strick brings us his first release of 2015 with simple pleasures

4th and final part of this legendary morris audio compilation series bringing some new (origins sound, manooz) and old faces (volta cab, julien sandre), but keeping the house vibe in different shades. up and coming origins sound (glasgow underground, lost) present a bassy pumping uk house tune whereas volta cab (kolour, hypercolour) goes back the the rave days and invites us to some hardcore heaven. the flipside starts with morris audio buddy julien sandre, who is still some kind of secret underground weapon, even if he already released on argys these days label or on tsuba. finishing off the ep is manooz (alive, extended play) with a great deep and raw house tune. this all is for you, seven daze a week!

hip-hop, jazz, verrauchter soul und groovender detroit-house: debütalbum des dänischen djs und produzenten.

stranger days are here and the italian maestro has returned with two new soundtracks for the dance­floor apocalypse. the world is soon to end, lory d will be its last man standing. early warnings from ben ufo, joy orbison, kema and tale of us.

exclusive import. japanese imprint sound of speed first release of 2015, with lay-far and peter oakden collaborating for the second time.

once again mind against bring their signature sound to life and death - including a recondite remix

finale sessions is proud to bring another fine release from none other then nick lapian from soul people music fame and amoung other fine labels worldwide . we at finale sessions welcome nick to our family and our system here at finale sessions with his fatastic tracks that s sure to please your ears and we start with the first track and it called -lost days- it has such movement to it with its rolling pads and its systemmatic keywork and deeep basslines is a must haqve for the record bag for sure . then we have -pigment which is a mid tempo dream come true with it acidy pad synthed structure and lush keys and wicked drum work it is 1st hour monster for sure . then last but not least we have -motif- which is peek time killer with its nice key work and its nice pads layering into a nice kick perfect for a b side jam and that what we have for finale sessions 023 we hope you enjoy the next generation from the forward thinking vault.....we want to thank you for the ongoing support .....love finale sessions god bless you

super special limited release, with a super dope hypnotic donato dozzy remix >> last copies left

romansoff is the man behind raw tools, a guy who loves to dj and arrange parties in and around bucharest, he is starting to stretch his wings further afield. with a release on machine records inc being his first for another label, romansoff delivered 3 tracks of dancefloor goodness to the ruff draft inbox that made me jiggle in my chair. it was when i got up and started to dance like my dad, and my son started to laugh and point, that i knew it was a winner. i contacted romansoff who suggested we should have a game of stone, paper, scissors to decide the track order

during these days where lo-fi analogue house productions seems to be the it thing, its time to dig out a release by one of the true pioneers of house music. not an outsider but one of the names thats been around forever and thats known for several timeless house classics.

colman buckley & ray taff, known collectively as dog days make a long awaited return to assembly records, following up woofer (their much lauded 2012 outing) with a new 3 tracker, stand down. a rich tapestry that wears its 4/4 rhythms and its detroit influences with immense pride, this ep features 3 tracks that combine sensuous vocals, tight percussion and melodic hooks that will be lodged in your brain for days to come.

70% deal - his 3rd shows why he is coming up, w/good diversity. idee fixe, a very smooth dance cut w/piano chords that carry the tune, strong percussion + moving bass. chili cheese fries follows with an underground sound & a real detroit feel.

the first new crazylegs music of the summer season is a bold slice of motown-fuelled house music from tommy rawson, following up his debut on sweden’s local talk last year. uk garage hero zed bias brings the dread with a dark, broken maddslinky refix on the flip, after recently announcing his imminent retirement from the dj circuit. imami rounds off the package with a booming mutant funk workout, off the back of his debut ep on druid cloak’s apothecary compositions label last november. crazylegs is a young record label birthed in 2012 from a five-year old bristol club party of the same name – founded by jambo and shandy and now run by a small team of like-minded djs and producers – tied together by a love of surprising, spontaneous electronic music and existing to provide a home for the people that create it.